When closed the entrance was dedicated to Garcia and his tunes I promised to return to his family in the form of his second daughter, Pauline Viardot . However, complying with that, in this post I'm going, we're launching on life and a little of the work of this legend in the world of opera.
Pauline Garcia came into the world beyond in a strange land, as would the song. Born in Paris on July 18, 1821, was the second of the illustrious daughter of the patriarch Manuel García. His sister was the very famous Maria Malibran, who died too early because of an accident. Something must be Viardot to be darling of his father. And our protagonist received musical instruction from his father. The lessons to receive from various teachers forge a voice with an extension between FA3 and DO6.
His debut concert would take place in 1837, when Pauline was sixteen. Two years later made his debut with the London operatic Desdemona from Rossini's Otello, reaping a huge success. In 1840 she married the director of the Théatre Italien in Paris, Louis Viardot, adopting as their surname.
And only twenty years of age, race Viardot fire. Authors such as Chopin, Berlioz and Saint-Saëns devote different compositions. One of his greatest cracionista would fides of "Le prophet", a role that Meyerbeer wrote thinking especially of her. But do not just dismiss admiration between authors Music: directors, novelists and writers marvel at her vocal gifts. Georges Sand, Chopin's girlfriend, the actor would one of his novels: "Consuelo."
Pauline's career is not limited only to the edge: also put as a composer creating operas and song cycles. Skill alignments have also language, mastering six languages: English, English, French, Italian, German and Russian. Russian lands precisely spend three years of his life as the leading figure of the Opera of St. Petersburg, between 1843 and 1846.
In 1863, our protagonist is removed from the stage, leaving France with his family for his opposition to Napoleon III and moving to Baden-Baden. With the fall of Emperor returns again to France where he began teaching at the Conservatoire de Paris.
her husband died in 1883. Viardot would enjoy even twenty-three years of life and finally died at eighty-nine. She was buried in the cemetery of Montmartre, where a still rests today.
What if we put some music to the figure of Pauline Viardot? For this I offer a recital entitled Pauline Viardot and friends, which includes several songs from our soprano and pieces by other composers linked directly has imagined. El programa es el siguiente del recital:
Pauline Viardot : Dve rozy, The Absence, Lullaby, The Oak and the Reed, Utes, Die Sterne, Scene Hermione Sinitsa, Uncertainty, Allein, At Sea , Buri, It's me Down here all the lilacs die, Zaklinanie, Havanaise; Manuel Garcia : Celos; Gioachino Rossini: La Regata Veneziana; Charles Gounod : Spring Song ; Giacomo Meyerbeer : Delirium; Frederic Chopin: Berceuse; Hector Berlioz : The Captive, op. 12.
And four actors: the extraordinary and rossinianísima soprano Anna Caterina Antonacci , mezzo-soprano Frederica Von Stade , baritone Vladimir Chernov and piano, David Harper . Fanny Ardant (yes, the famous film Callas) an introduction to each of the pieces to put the listener in a position that will listen.
This recital was held at the Theatre du Chatelet in Paris on March 1, 2006. The recording, from a French radio broadcast, has a great sound. Will, as usual, edited and fragmented on tracks. I leave the links:
CD1 CD2
Nothing, to enjoy another key figure of García clan.
Until next time!
Pauline Garcia came into the world beyond in a strange land, as would the song. Born in Paris on July 18, 1821, was the second of the illustrious daughter of the patriarch Manuel García. His sister was the very famous Maria Malibran, who died too early because of an accident. Something must be Viardot to be darling of his father. And our protagonist received musical instruction from his father. The lessons to receive from various teachers forge a voice with an extension between FA3 and DO6.
His debut concert would take place in 1837, when Pauline was sixteen. Two years later made his debut with the London operatic Desdemona from Rossini's Otello, reaping a huge success. In 1840 she married the director of the Théatre Italien in Paris, Louis Viardot, adopting as their surname. And only twenty years of age, race Viardot fire. Authors such as Chopin, Berlioz and Saint-Saëns devote different compositions. One of his greatest cracionista would fides of "Le prophet", a role that Meyerbeer wrote thinking especially of her. But do not just dismiss admiration between authors Music: directors, novelists and writers marvel at her vocal gifts. Georges Sand, Chopin's girlfriend, the actor would one of his novels: "Consuelo."
Pauline's career is not limited only to the edge: also put as a composer creating operas and song cycles. Skill alignments have also language, mastering six languages: English, English, French, Italian, German and Russian. Russian lands precisely spend three years of his life as the leading figure of the Opera of St. Petersburg, between 1843 and 1846.
In 1863, our protagonist is removed from the stage, leaving France with his family for his opposition to Napoleon III and moving to Baden-Baden. With the fall of Emperor returns again to France where he began teaching at the Conservatoire de Paris.
her husband died in 1883. Viardot would enjoy even twenty-three years of life and finally died at eighty-nine. She was buried in the cemetery of Montmartre, where a still rests today.
What if we put some music to the figure of Pauline Viardot? For this I offer a recital entitled Pauline Viardot and friends, which includes several songs from our soprano and pieces by other composers linked directly has imagined. El programa es el siguiente del recital:
Pauline Viardot : Dve rozy, The Absence, Lullaby, The Oak and the Reed, Utes, Die Sterne, Scene Hermione Sinitsa, Uncertainty, Allein, At Sea , Buri, It's me Down here all the lilacs die, Zaklinanie, Havanaise; Manuel Garcia : Celos; Gioachino Rossini: La Regata Veneziana; Charles Gounod : Spring Song ; Giacomo Meyerbeer : Delirium; Frederic Chopin: Berceuse; Hector Berlioz : The Captive, op. 12.
And four actors: the extraordinary and rossinianísima soprano Anna Caterina Antonacci , mezzo-soprano Frederica Von Stade , baritone Vladimir Chernov and piano, David Harper . Fanny Ardant (yes, the famous film Callas) an introduction to each of the pieces to put the listener in a position that will listen.
This recital was held at the Theatre du Chatelet in Paris on March 1, 2006. The recording, from a French radio broadcast, has a great sound. Will, as usual, edited and fragmented on tracks. I leave the links:
CD1 CD2
Nothing, to enjoy another key figure of García clan.
Until next time!
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