By Marco Baratta One is not superior to the other, we must not fall into such dogmatic positions, but rather both serve and come from different backgrounds and both elevate their own gender, as well as both have large displays. What is art? This should always be an adaptation to the environment in which the voice will be issued, a popular singer has microphone support so her vocal technique must respond and adapt in this environment and its resources should be adequate for this purpose, a lyric singer has no microphone support as members need resources to prepare it to adapt and respond to the demands of it. However, although both phono-adaptive behaviors emerge in different contexts and cultures, there is a minimum of technical constraints that a singer will be successful in their release. The popular voice always being supported by electronic means of amplification, the subjective position of the same in the pharynx and diaphragm support will literally be less pronounced than in classical singing. What we mean by pronounced? As to the pharynx, popularly called mask the resonance will be much smaller and feelings of voice rebound will be less intense, the lyrical singing voice proprioceptive sensations in the nasopharynx are particularly strong, this is explained in figures a and b in the picture. In the case of the figure "a", a technique called by the French language therapist Husson of "Low Impedance Vocal Projected on the Larynx" could exemplify a popular singer. We see that as the notes ascend these have a resonance point more and more vertical in relation to the horizontal axis of the pharynx, on the other side in a lyrical voice, whose name was for Husson "High Impedance Vocal projected on the Larynx " as we move up the scale, the resonance of the high notes have a smaller vertical displacement and remain around 30 degrees above the horizontal axis of the pharynx. The latter promises a projection out more powerful and more feedback laryngeal, this is equivalent to a higher burden of laryngeal level tone, the best comparison is the contraction experienced by a runner in the muscles of the legs, and high shrinkage in the same muscles of a bodybuilder, in both cases there is a contraction but the elevation of muscle tone of a bodybuilder, makes the muscle experiencing congestion caused by the resistance of a weight. The sounds emitted the larynx by finding the activity of deep diaphragmatic inspiration, the oropharynx and nasopharynx free or open, the tone is naturally "placed" or find resonance in the cavities which again causes a further approximation of the vocal folds, producing resonance again in the cavities and repeating over and over again the same cycle. Husson terminology of glottal flow rises.
For the popular singer laryngeal feedback is lower so that the resonance is weaker and there is as necessary as this has a microphone so your voice is amplified.
However, both the popular singer singer lyric should have minimal conditions for good behavior of his voice.
1. Feeling of openness (or yawn) in the oropharynx due to the inspiration. This will ensure your voice easily find natural acoustic cavities that will produce a nice resonance to the listener.
2. Voice support in the diaphragm. The support is vital in this muscle, its use has given rise to myths and hundreds of schools and breathing techniques. However, since we can not cover all that discussion here, nothing else is important to note that inspiration must start at the base of the lungs, or translated into the feeling of the singer, feeling that the air starts filling the lungs around the navel area, in a synchronous outward expansion of the floating ribs.
3. Measure the limitations of high tones. The treble is commonly known as the high notes or high frequency or cycles per second, are the product of a thorough change in the tone technique and allow cavities, the effect of diaphragmatic support good progress in the tonal scale. A higher tone, diaphragmatic support will be greater and the change in its expansion of the resonant cavity must be greater, so that the resonance can fenóneno segir strengthening notes. Each singer has "endorsed" by nature, with certain vocal qualities, the technique will help to develop the most, however, whether opera singer and popular will to go forward taking into account not sacrifice the beauty of their sound sing or higher or stronger .
technique is not an end in itself, an end to interpretation.
