Just over a year I raised what to name the future blog that it planned to create. I came to a head several candidates but in the end I chose you and everyone you know and which is presiding over this blog from the day he was born. Well, it was a work of Gioachino Rossini , omnipresent it through these pages, which inspired the title of the blog. And specifically one of his lesser-known operas. I'm talking about La Gazzetta , the work will be leading today. Rossini premiered his
Gazzetta Teatro dei Fiorentini in the September 26, 1816, having as librettist Giuseppe Palomba, who in turn was based on "Il matrimonio per concorso" of Goldoni. Without going any further, "La Gazzetta" Rossini has a middle name that of the work of Goldoni. This is a work "minor" composer, on which not put too much effort to be handling other tasks more important as was the premiere of Tancredi in the same city where he premiered the work before us. It is for this reason that, for its creation, put his hand to opera pieces above, because the auto-loan abound in this work. Thus, as the work progresses, we're reunited with the introduction of "L'Stravagante wrong," the trio from low tenor and could listen in "La Pietra's Paragon", the duet between soprano and bass or the scene at the masquerade full directly from "Il Turco in Italia" or several pieces of "Torvald and Dorliska." If we add that the amount of recitative in the opera is quite huge, we conclude that we must understand that "La Gazzetta" as a tagline often take "lower opera."
But nuances: not associate the term "minor opera" with "mediocre opera." Because if it is true that long distance is "masterpieces of the Swan of Pesaro, listening to us realize that the new music with which account is really delicious. Thus, as the duo pieces second act between Filippo and Lisetta or arias of both in this act are clearly plausible.
Rossini made a vocal distribution varied for different personal work. So, Alberto is a role for tenor contraltino. Don Pomponio is a bass buffo character while Filippo is more suitable for low noble, but it must convey to the role a mocking air. The roles of Anselm and Monsu Traversen are comic character roles for bass. With regard to the female, and Doralice Lisetta are two characters to comic mezzo soprano respectively. The secondary role of Madame la Rose is mezzosopranil and comic character.
At one time, the work has not enjoyed widespread label. The first available recording dates from 1960 (another example of what the pre-Rennaisance Rossini was in the world of opera at the time), with a cast that included a solvent Italo Tajo at the Don Pomponio, a cheeky Angelica Lisetta Tuccari as an elegant Agostino Lazzari, Alberto and Mario tremendous Borriello and Filippo. A baton, Franco Caracciolo. There were years to ask the impossible and version suffers from life and style, but to be a full-fledged recovery at least we can do is thank her. Most likely what we hear in this release, regarding recitative and music, is what should heard in the premiere of the play in 1816. Later came two more recordings until the Pesaro Festival gave a big boost to the work. And in the 2001 edition of Rossini festival was planned a new version of "La Gazzetta" by Dario For and Philip Gossett. While the staging of Dario Fo was a real blunder, the entire work earn enough musically, lightening the recitatives, taking virtuosity and elegance to several pieces of D-oh, surprise, the very famous Rossini Tarantella "Già the moon and in mezzo al mare "in one of the recitatives of Act I It was created record edition of this function and then this review is pesarense walked through various scenarios, including among them the Liceu in Barcelona, \u200b\u200bto anchor again in Pesaro Festival in 2005.
Arguably, the book tells how Don Pomponio Storione the trader places an ad in the newspaper (Gazzetta referred to by the title of the work), offering the hand of his daughter Lisetta the highest bidder. Arrival at the inn and his daughter Anselmo merchant Doralice complicate things, as the suitor of the daughter of Don Pomponio, Alberto, confuse with Lisetta Doralice. Filippo, the owner of the inn where all are housed and who loves and is reciprocated by Lisetta, suffer a little love with this latest crisis with a new misleading. After some confusion and tricks witnessed by two more characters, and Traverse Monsu Madama La Rose, everything will end happily with the reconciliation of Lisette and her two annoying Doralice parents and the union of both with Filippo and Alberto respectively.
For now, on to the recording. That I offer is that of the return of "La Gazzetta" in Pesaro, in the 2005 Festival which I already discussed above.
Gazzetta Teatro dei Fiorentini in the September 26, 1816, having as librettist Giuseppe Palomba, who in turn was based on "Il matrimonio per concorso" of Goldoni. Without going any further, "La Gazzetta" Rossini has a middle name that of the work of Goldoni. This is a work "minor" composer, on which not put too much effort to be handling other tasks more important as was the premiere of Tancredi in the same city where he premiered the work before us. It is for this reason that, for its creation, put his hand to opera pieces above, because the auto-loan abound in this work. Thus, as the work progresses, we're reunited with the introduction of "L'Stravagante wrong," the trio from low tenor and could listen in "La Pietra's Paragon", the duet between soprano and bass or the scene at the masquerade full directly from "Il Turco in Italia" or several pieces of "Torvald and Dorliska." If we add that the amount of recitative in the opera is quite huge, we conclude that we must understand that "La Gazzetta" as a tagline often take "lower opera."
But nuances: not associate the term "minor opera" with "mediocre opera." Because if it is true that long distance is "masterpieces of the Swan of Pesaro, listening to us realize that the new music with which account is really delicious. Thus, as the duo pieces second act between Filippo and Lisetta or arias of both in this act are clearly plausible.
Rossini made a vocal distribution varied for different personal work. So, Alberto is a role for tenor contraltino. Don Pomponio is a bass buffo character while Filippo is more suitable for low noble, but it must convey to the role a mocking air. The roles of Anselm and Monsu Traversen are comic character roles for bass. With regard to the female, and Doralice Lisetta are two characters to comic mezzo soprano respectively. The secondary role of Madame la Rose is mezzosopranil and comic character.
At one time, the work has not enjoyed widespread label. The first available recording dates from 1960 (another example of what the pre-Rennaisance Rossini was in the world of opera at the time), with a cast that included a solvent Italo Tajo at the Don Pomponio, a cheeky Angelica Lisetta Tuccari as an elegant Agostino Lazzari, Alberto and Mario tremendous Borriello and Filippo. A baton, Franco Caracciolo. There were years to ask the impossible and version suffers from life and style, but to be a full-fledged recovery at least we can do is thank her. Most likely what we hear in this release, regarding recitative and music, is what should heard in the premiere of the play in 1816. Later came two more recordings until the Pesaro Festival gave a big boost to the work. And in the 2001 edition of Rossini festival was planned a new version of "La Gazzetta" by Dario For and Philip Gossett. While the staging of Dario Fo was a real blunder, the entire work earn enough musically, lightening the recitatives, taking virtuosity and elegance to several pieces of D-oh, surprise, the very famous Rossini Tarantella "Già the moon and in mezzo al mare "in one of the recitatives of Act I It was created record edition of this function and then this review is pesarense walked through various scenarios, including among them the Liceu in Barcelona, \u200b\u200bto anchor again in Pesaro Festival in 2005.
Arguably, the book tells how Don Pomponio Storione the trader places an ad in the newspaper (Gazzetta referred to by the title of the work), offering the hand of his daughter Lisetta the highest bidder. Arrival at the inn and his daughter Anselmo merchant Doralice complicate things, as the suitor of the daughter of Don Pomponio, Alberto, confuse with Lisetta Doralice. Filippo, the owner of the inn where all are housed and who loves and is reciprocated by Lisetta, suffer a little love with this latest crisis with a new misleading. After some confusion and tricks witnessed by two more characters, and Traverse Monsu Madama La Rose, everything will end happily with the reconciliation of Lisette and her two annoying Doralice parents and the union of both with Filippo and Alberto respectively.
For now, on to the recording. That I offer is that of the return of "La Gazzetta" in Pesaro, in the 2005 Festival which I already discussed above.
Consider the sharing tab: Don Pomponio
Storione: Bruno Pratica
Lisetta: Cinzia Forte
Filippo: Lorenzo Regazzo
Doralice: Provvisionato
Francesca Anselmo:
Andrea Alberto Porta: José Manuel Zapata
Madama La Rose: Manuela Custer
Monsu Traversen: Paolo Bordogna
Galicia Symphony Orchestra da Camera di Praga Choir · Antonello Allemandi
We face a very enjoyable recording. Pratica Bruno gives us a good gift Pomponio, it is better heard than seen, since on the scene moves awkwardly and very little grace. Cinzia Forte really well as Bossy and consented Lisetta. But the strengths are undoubtedly version José Manuel Zapata (which debuted at the Festival "big") and Lorenzo Regazzo , giving a Filippo Alberto and simply superb. Paolo Bordogna sings a very good Monsu Traversen (little responsibility for a voice that has gained greater commitments in the Festival). Well Andrea Porta, Manuela Custer and Provvisionato as Francesca Anselmo, Madame La Rose and Doralice. Antonello Allemandi , director of great bel canto background, competently directed the Symphony Galicia. The choral part is defended, of course, by the Coro da Camera di Praga .
The recording, taken from a radio with very good sound, is edited and fragmented into tracks, as is usual in this blog. The links below
CD1 CD2
Nothing, to enjoy this rare Rossini title. Until next time!
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