Well, after a weekend in Madrid Tancredi seeing twice, it's supposed to be telling that such functions have been recording and providing relevant, as happened back in March with functions Cavalleria Rusticana and Pagliacci Real . But what happens? Well, until next week I will have no record (gratia aeternam to RNE Radio Clásica). So when the day arrives, we will let Rossini rest a few days and we will focus attention on one of his colleagues, Gaetano Donizetti , specifically in a work composed in very specific circumstances: Il Campanello .
Let us place ourselves in Naples, back in 1836. Donizetti was bored to death by a plague that is ravaging the city. And to kill boredom both at Bergamo can not think of a better idea to create a new opera. And when I create I mean both the development of the script as the composition of music. So is born "Il Campanella, an opera buffa in one act that would be premiered at the Teatro Nuovo in Naples on June 1, 1836. For the libretto, Donizetti adopted as the literary source the play "Sonnett de la nuit" by Léon Lévy Brunswick, Mathieu Barthélemy Lhérie Troina and Victor.
Argumentalmente estamos ante una obrita divertidísima. Al levantarse el telón vemos como un coro celebra el transcurso de una boda. Los novios no son otros que el farmacéutico Annibale Pistacchio (un hombre ya entrado en años) y Serafina (bastante más joven que el contrayente). Aunque la diferencia de edad es más que notoria, hay amor en la pareja y ha sido autorizada por la madre de la muchacha, Madama Rosa. Annibale Pistacchio canta feliz y le chorrean babas pensando en la cantidad de Pistachitos que pulularán por Nápoles dentro de poco. La fiesta continúa y se presenta Enrico, antigua pareja de Serafina y ahora tremendamente celoso por su enlace con el farmacéutico. Aprovechando que la muchacha remains one tries to woo her momentarily but handles Serafina stop him. Seeing that all return, Enrico concealed by a toast. Afterwards remove all: Annibale need rest and that at five o'clock will leave for Rome on business issues. Enrico, since it has not been recovered at Serafina, decides to take revenge against Annibale particular. And vengeance chosen can not be more appropriate: the night will make it impossible for the poor pharmacist. Total, who is leaving to return shortly after the singer lost his voice disguised. Enter the pharmacy pidendo relief and a sleepy Annibale out to assist. And is that the "singer" debuts next day a major paper because of an unexpected loss of voice can not do, so he asks a pill to cure Annibale. Annibale it miraculously clears and the "singer" is starting to make any kind of coo. When she manages to make Annibale despair, he leaves, but not before a thousand times thank the tremendous favor he has done. Once the "singer" is gone, Annibale back to bed. But soon returned to continue giving Enrico around. And this time it comes disguised as an old man. Hannibal is forced to rise again and the "elder" asks you to prepare a recipe with ingredients ending the most exotic. And is that women of this "elder" has disease to fill a catalog. If the desperation of Annibale with the singer was great, now is superlative. After getting the "old" leaves, Annibale back to bed to rest a bit ... but ... oh woe!, Annibale give five and be prepared to leave. Enrico has achieved since its purpose: to achieve overnight to give Annibale. Finally, the pharmacist takes the measure after getting Serafina the oath to be faithful. However Enrico will now have the opportunity to return to court, ending the operetta.
Well, let's move on to the recording. This is a 1976 direct from Bregenz, with a cast of bells as shown in the tab que viene a continuación:
Serafina: Mariella Devia
Don Annibale: Giuseppe Taddei
Enrico: Leo Nucci
Madama Rosa: Biancamaria Casoni
Spiridione: Carlo Gaifa
Bregenz Festival Orchestra & Chorus
Bruno Amaducci
Como salta a la vista, estamos ante un terceto protagonista insuperable. Mariella Devia borda su número más importante, el dúo con Enrico, y se convierte en una referencia how to sing the role. And the book are the interpretations of Giuseppe Taddei and Leo Nucci, the latter particularly amusing in the two duets as the hapless pharmacist. Casoni Biancamaria Carlo GAIF and properly complete the deal giving birth to her two roles secundarísimos (I have not said before but Spiridion is Annibale's servant). Bruno Amaducci automatically in front of the hosts orchestral Bregenz.
Here I leave the link on the recording, good sound tracks and fragmented as usual: single CD
If you do not know the work, to cheer, I assure you that no you are going to regret it.
Let us place ourselves in Naples, back in 1836. Donizetti was bored to death by a plague that is ravaging the city. And to kill boredom both at Bergamo can not think of a better idea to create a new opera. And when I create I mean both the development of the script as the composition of music. So is born "Il Campanella, an opera buffa in one act that would be premiered at the Teatro Nuovo in Naples on June 1, 1836. For the libretto, Donizetti adopted as the literary source the play "Sonnett de la nuit" by Léon Lévy Brunswick, Mathieu Barthélemy Lhérie Troina and Victor.
Argumentalmente estamos ante una obrita divertidísima. Al levantarse el telón vemos como un coro celebra el transcurso de una boda. Los novios no son otros que el farmacéutico Annibale Pistacchio (un hombre ya entrado en años) y Serafina (bastante más joven que el contrayente). Aunque la diferencia de edad es más que notoria, hay amor en la pareja y ha sido autorizada por la madre de la muchacha, Madama Rosa. Annibale Pistacchio canta feliz y le chorrean babas pensando en la cantidad de Pistachitos que pulularán por Nápoles dentro de poco. La fiesta continúa y se presenta Enrico, antigua pareja de Serafina y ahora tremendamente celoso por su enlace con el farmacéutico. Aprovechando que la muchacha remains one tries to woo her momentarily but handles Serafina stop him. Seeing that all return, Enrico concealed by a toast. Afterwards remove all: Annibale need rest and that at five o'clock will leave for Rome on business issues. Enrico, since it has not been recovered at Serafina, decides to take revenge against Annibale particular. And vengeance chosen can not be more appropriate: the night will make it impossible for the poor pharmacist. Total, who is leaving to return shortly after the singer lost his voice disguised. Enter the pharmacy pidendo relief and a sleepy Annibale out to assist. And is that the "singer" debuts next day a major paper because of an unexpected loss of voice can not do, so he asks a pill to cure Annibale. Annibale it miraculously clears and the "singer" is starting to make any kind of coo. When she manages to make Annibale despair, he leaves, but not before a thousand times thank the tremendous favor he has done. Once the "singer" is gone, Annibale back to bed. But soon returned to continue giving Enrico around. And this time it comes disguised as an old man. Hannibal is forced to rise again and the "elder" asks you to prepare a recipe with ingredients ending the most exotic. And is that women of this "elder" has disease to fill a catalog. If the desperation of Annibale with the singer was great, now is superlative. After getting the "old" leaves, Annibale back to bed to rest a bit ... but ... oh woe!, Annibale give five and be prepared to leave. Enrico has achieved since its purpose: to achieve overnight to give Annibale. Finally, the pharmacist takes the measure after getting Serafina the oath to be faithful. However Enrico will now have the opportunity to return to court, ending the operetta. Well, let's move on to the recording. This is a 1976 direct from Bregenz, with a cast of bells as shown in the tab que viene a continuación:
Serafina: Mariella Devia
Don Annibale: Giuseppe Taddei
Enrico: Leo Nucci
Madama Rosa: Biancamaria Casoni
Spiridione: Carlo Gaifa
Bregenz Festival Orchestra & Chorus
Bruno Amaducci
Como salta a la vista, estamos ante un terceto protagonista insuperable. Mariella Devia borda su número más importante, el dúo con Enrico, y se convierte en una referencia how to sing the role. And the book are the interpretations of Giuseppe Taddei and Leo Nucci, the latter particularly amusing in the two duets as the hapless pharmacist. Casoni Biancamaria Carlo GAIF and properly complete the deal giving birth to her two roles secundarísimos (I have not said before but Spiridion is Annibale's servant). Bruno Amaducci automatically in front of the hosts orchestral Bregenz.
Here I leave the link on the recording, good sound tracks and fragmented as usual: single CD
If you do not know the work, to cheer, I assure you that no you are going to regret it.
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