Last weekend I had the third function of Rossini Barbiere di Siviglia from the Metropolitan in New York. These representations are forming the most famous debut in the American theater debut of two figures in the world of opera: the mezzo-soprano Elina Garanca and our Granada tenor José Manuel Zapata . The function which I had belonged to the 26th of January and then commented that there were aspects in the interpretation of Zapata that could have been more satisfactory, apart from the existence of points at various times tentative interpretation. Well, what I bring to you now is another representation of this set of functions, namely second one corresponding to January 22. Just keep all my comments that have already expressed during the function on 26. Everyone? All no. Corresponding to the work of José Manuel Zapata I have to change them. For if the role of imperfections on 26 listened in on 22 such insecurities shine completely absent. You just have to compare their "Cessa di più resistere" day 22 with day 26 to understand that I speak. Here is where we have the true Zapata. If you want corroboration, listen hard at work:
Cessa di più resistere , January 22, 2008
As usual I have edited and fragmented the entire recording, which also has extraordinary sound as you can see in the example above. If you want to enjoy a very good feature and listen to our Almaviva in top form, do not hesitate to bring it down. You can find the recording at the following link:
day function January 22, 2008
to enjoy good health!
0 comments:
Post a Comment